Showing posts with label change. Show all posts
Showing posts with label change. Show all posts

Friday, June 18, 2010

Dance/USA conference



We 'performed' at the opening reception of Dance/USA as background to a cocktail party performing short dance structures aimed to fit in and around the space. We put ourselves in a place where people were not meant to watch (catering staff doesn't count) but were there to talk with one another. Still trying to figure out what to say about it. We didn't push to get ourselves seen. We didn't try to dance right within the people as they were waiting at the bar or waiting at the food tables. (instead we danced outside the building looking in) It's the tree in a forest question - if nobody heard the tree fall, did it happen? If nobody saw the dance was it a performance?
(photo left: event at Holmes Run Greenway in Alexandria. We expected passersby to stop and watch, or pedestrians to pass through the event, as the bikers did above, but we weren't expecting actual audience attendance.)
Discussions with dance administrators at SmartBar provided some things to think about "a company of all women comes off as avocational," "exposure comes with attention grabbing situation," "free performance is an investment in audience-building," and most of all, I just sometimes didn't know what question to ask. "this copy is well-written and thoughtful, but you really need to work on your 'elevator' speech. I didn't really understand what your group was about until I talked with you for ten minutes."

Sunday, November 16, 2008

Incidence


We are working with an aluminum piece that Howard Connelly created for "Incidence." The whole idea is about chance and change, how we move things along, and how we don't know even when there is familiarity with components. We are developing segments of choreography that will be performed dependent on the visual appearance of the sculpture. The cues for our changes will come when Gina Biver changes the music. The piece will never be performed in the same order. The linear order is what often makes sense, beginning, middle and end, as you couldn't tell a story quite as well without it, though some films do very well with that idea by taking you forward and backward in time, "Pulp Fiction," "Memento." and many others.
Incidence
Dec 4 pay-what-you can preview

Dec 5, 6, 12, 13 at 8 pm

Dec 7 and 14 at 3pm

Mead Theatre Lab at Flashpoint

916 G Street NW

Washington DC

Tix: $15

At the door or online at