Indistinct Boundaries

We are premiering a new piece with Bryan Leister on January 10 at 8 pm at Woolly Mammoth. Bryan is using black and white animations to explore the edge of perception between real and virtual. Indistinct Boundaries blurs the lines between expectations and what actually happens; between virtual and real. It explores the dynamics of polar opposites by animating shadows and by casting shadows of objects that are not there. Bryan Leister has generated the music mathematically through cycles and wave forms and has created animated organic structures based on mathematical algorithms that evolve over time. The dance, created in six parts, is an environment that amplifies and isolates the projections.
You can get tickets online at http://www.janefranklin.com/ or by calling 703.933.1111. We hope to see you there.

Washington City Paper: Arts

Washington City Paper: Arts & Events: Jane Franklin Dance

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Incidence

We are working with an aluminum piece that Howard Connelly created for "Incidence." The whole idea is about chance and change, how we move things along, and how we don't know even when there is familiarity with components. We are developing segments of choreography that will be performed dependent on the visual appearance of the sculpture. The cues for our changes will come when Gina Biver changes the music. The piece will never be performed in the same order. The linear order is what often makes sense, beginning, middle and end, as you couldn't tell a story quite as well without it, though some films do very well with that idea by taking you forward and backward in time, "Pulp Fiction," "Memento." and many others.
Incidence
Dec 4 pay-what-you can preview

Dec 5, 6, 12, 13 at 8 pm

Dec 7 and 14 at 3pm

Mead Theatre Lab at Flashpoint

916 G Street NW

Washington DC

Tix: $15

At the door or online at

Jane Franklin Dance has established itself as an arts group with a penchant for innovative productions and a commitment to community outreach. The company crosses disciplines to create partnerships with musicians and multimedia and visual artists; it often performs in unusual locations and encourages participation from residents, even those who are not dancers by nature or training.

It's been a good year for JFD. The group was named Best Dance Company in Washington City Paper's "Best of D.C. 2008" and made its international debut at Foro Performatica, a conference and festival at the Universidad Las Americas Puebla in Mexico. The group's ongoing projects include work with senior adult centers and after-school youth groups.

A case in point: this morning's "Concert for Community," a low-priced matinee. The performance will feature excerpts from this weekend's dance concert combined with the onstage participation of seniors from Arlington's Walter Reed and Langston Brown community centers.

And as for taking creative risks, what other dance company would create a piece called "Howard Dean's Scream"? Alas, that's not on this weekend's program, "The Music Made Me Do It," but "Breaking Ground," which combines dance, video and skateboarding, is. The piece was performed previously at a warehouse in the District and at a park in Arlington before being adapted for the T.J. Community Theatre's proscenium stage. Danced to music by the Low End String Quartet, it offers the classical sounds of a string quartet, reworked to use electric guitar, alternating with electronic hip-hop music by Monstah Black.

Saturday's concert will open with dances set to the pop standards "I've Got Rhythm" and "Blue Moon," to be performed by the 20-voice Metropolitan Chorus. The company will share the stage with the performers of the Young Dancers Project.

The evening will also feature the a cappella H-B Woodlawn Chamber Singers, under the direction of William Podolski, with an antiwar song, "You Are the New Day," and "Son de Camaguey," a Cuban folk song about the lush scenery and "naturally good-looking people" of the region. To accentuate that latter point, the JFD company will be joined by Drew Model School performers.


Rounding out the program, the company will perform "Branch" to Shostakovich's String Quartet No. 8 with guest artist Florian Roullier, and a duet, "Hand Hold," set to a composition for two marimbas and synthesizer.


-- MARIANNE MEYER

Thomas Jefferson Community Theatre is at 125 S. Old Glebe Rd. in Arlington. The nearest Metro station is at Ballston, which connects to the 10B bus toward Hunting Towers. Tickets at the door for today's show are $5 general admission; Saturday's show is $30 general admission, $20 for students and seniors, and $16 for children younger than 12. Information about reduced-price tickets is available online athttp://www.janefranklin.comor by phone at 703-933-1111.

Collaborative Choreography

October 23, 2008—Collaborative choreography for company members and young dancers
As a new member of Jane Franklin Dance, I am learning what it’s like to do collaborative choreography. Each dancer has their own style so in any given rehearsal we might do ten different styles of movement. Jane leads us through the concepts she has and gets us to move in the ways she envisions (hopefully we are anyway). Then Jane watches us dance and molds all the movement into dance pieces. There is never a dull moment. We might have to change the way we are facing, the speed, the direction, cut this part, add that one, do the movement on the floor, in the air, or take solo movement and do it with a partner instead. We have to be ready for anything!
Recently we started a project with young dancers. I was surprised the first day we had rehearsal at how well the elementary school-aged dancers improvised and how interesting their movements were. I thought they would have a hard time following Jane’s instructions and remembering the choreography, but they are doing very well. They’re also good at reminding me how fun dancing can be. We are putting together a piece for “The Music Made me do it” at the TJ Community Center. I am excited to see how it all comes together with the live chorus singers from HB Woodlawn Chamber Chorus.

–Andrea Ligon

The day after Powhatan Springs Skate Park

We had a crisp clear cool evening at Powhatan Springs Skate Park in Arlington for Breaking Ground. Several male friends joined us at 4:30 on Saturday afternoon and learned the structures we had set for a couple of the sections of the performance. Other sections contain detailed choreography. The dancers had to navigate a landscape of levels, cement, darkness, or the bright light of the projectors. Our new performers had a lot to get used to in a short amount of time, but the number of bodies was a bold move, and I liked having mostly non dance trained males being involved in the physicality of the piece.
Frankly, by the time Saturday rolled around, I was exhausted. There was a lot of delay in getting the final video product, and in my nervousness, I kept trying to move Mac files to work on my PC with an Adobe Premiere Pro 2.0 program. There was no success with that, and luckily Julia was able to pull together the DVDs by Saturday morning.
Outdoor performances, particularly in such a large space, are tricky to pull off with video involved. I think most of the people who attended were looking for something different, and here in this large space, they had many different places to look. People first sat on the hill outside the fence surrounding the park. We were waiting, waiting, waiting for darkness. Finally we called everyone inside and people sat around the edges of the park while the piece unfolded. It was almost too dark sometimes, and what can I say, as these things are somehow never in control even when you take so much time in trying to be in control.
Next up our performances at Woolly Mammoth where we'll perform excerpts from Breaking Ground as well as other repertory. We've barely sold any tickets and there is a lot of concern. So ease my mind, please come by on Saturday or Sunday at 8 pm.

Breaking Ground at Powhatan Springs Park

Last night we rehearsed at Powhatan park, a wonderful very large park with street style and round wall elements including one eight foot and one eleven foot bowl. Sean Watkins set up three projectors and DVD players and we were there to combine the video, with the performers, with that very unique outdoor landscape. We have some wonderful music composed by monstah black. Other great pieces of music are from Low End String Quartet, Jon Matis new venture that uses an electric guitar as one of the string instruments. I think it is a powerful combination - monstah's great voice and hip hop electronics with the String Quartet, classical musicians who like to dig into Radiohead, Foo Fighters or their own creations.
There were some rough spots mostly having to do with finding our way in the dark! All of the park's lights seem to be on one circuit. When the lights are off, they are off for the whole area. Dancers were finding their way with the light from only three projectors. We're trying to overcome that obstacle for Saturday night's performance. Another thing for the dancers to deal with is the landscape itself since you have inclines rather than flat surface, cement rather than sprung hard wood. There are things that are easy to do in one environment that are difficult in the other and negotiation in reconfiguring the movement.
Nevertheless, I was very excited to see the dancers against the video which does odd things to your sense of perspective. When the dancers are up against the projections it seems that many more people are a part of the piece. And in a variety of shapes and sizes.
I have directed the video editing completed by Julie Moscato with video from this past spring and summer. It has been taken a lot of energy to catalogue the footage and make selections. Julie has been patiently receptive to my artistic whims and thank goodness for that!
Come on over to the park this Saturday, Sept 20. We are inviting people in at 6:30 and there will be open skating until the performance begins at around 7:15. A beautiful outdoor setting, Powhatan Spring Park is at 6020 Wilson Blvd in Arlington. This one is free but if you miss, the coming two weekends "Breaking Ground" excerpts can be seen at Woolly Mammoth Sept 27 & 28, and on Oct 4 the whole piece as it now exists at an indoor park at 1250 9th St NW, near the Convention Center in WDC. If you need other info, look for it at www.janefranklin.com Thanks again and I hope you can make it.